Title: What Are YOUR Most Rememberable Scenes In A Movie?
Frank Jaeger - June 10, 2004 05:08 PM (GMT)
For me it would have to be on "The Rock" where they have the big shower room fight and also on "Gladiator". Where Russel Crowe takes on all the Gladiators then shouts "Are You Not Entertained". I have one more, on Scarface where Tony is having the shootout at the end "Say ello to my little friend"
What about you guys, whats yours?
Saladin-Snake - June 10, 2004 05:21 PM (GMT)
top 3 Rememberable scenes....
1. Burly brawl , from the matrix reloaded with the 100 agents
2. Yoda vs Count Dooku , from star wars episode 2 (man that was funny) :lol:
3. If you f*ck with me, ''You f*ck With The Best!!!'', from scarface
The rattled mind of bob - June 10, 2004 05:27 PM (GMT)
I have seceral:
The D-day scene in Saving Private Ryan.
The end of Saving Private Ryan
The Fianl battle in LOTR: ROTK
The end of Seven
The end of Man on Fire
There are a few more but I'll post them later when I can recall them.
Refluxe - June 10, 2004 05:40 PM (GMT)
Most LOTR battles including Legolas.
In Liar Liar where he is beating himself up. The bloke asks 'What are you doing?' and Carrey replies 'I'm kicking my aaaaass!' lmao!
Matrix fight near the subway thing in the first one. Always sticks out in my mind
Mortal Combat Scorpion battle. 'Get Over Here!'
The end part of Fight Club
There are many more....
the_cobbinator - June 10, 2004 06:31 PM (GMT)
The end of LOTR, the Hoth scene in Empire Strikes Back, Timon and Pumba... and the beat goes on.
Saladin-Snake - June 10, 2004 06:54 PM (GMT)
als really cool was. South Park bigger longer and uncut, the clittoris scene :lmao: that was fun!
screenshark15 - June 10, 2004 07:27 PM (GMT)
| QUOTE (Refluxe @ Jun 10 2004, 11:40 AM) |
| In Liar Liar where he is beating himself up. The bloke asks 'What are you doing?' and Carrey replies 'I'm kicking my aaaaass!' lmao! |
hilarious scene
in beverly hills cop when eddie murphy is in the resturant talking about herpes
end of jerry maguire
lobby scene from the matrix
iAn - June 11, 2004 01:06 AM (GMT)
RIPLEY
They cut the power.
HUDSON
What do you mean, they cut the
power? How could they cut the
power, man? They're animals.
Ripley picks up her rifle and thumbs off the safety.
RIPLEY
Newt! Stay close.
(to the others)
Let's get some trackers going.
Come on, get moving. Gorman, watch
Burke.
Hudson and Vasquez pick up their scanners and move to
the door. Vasquez has to slide it open manually on its
track.
INT. CORRIDOR 147
The two troopers separate and move rapidly to the
barriers at opposite ends of the control block.
DOLLYING WITH VASQUEZ as she moves forward with feral
steps in the darkness.
ON HUDSON scanning the med lab and the nearby barrier.
RIPLEY
(voice over)
Anything?
BEEP. Hudson's tracker lights up, a faint signal.
HUDSON
There's something.
He pans it around. Back down the corridor. It beep
again, louder.
HUDSON
It's inside the complex.
VASQUEZ
(voice over)
You're just reading me.
HUDSON
No. No! It ain't you. They're
inside. Inside the perimeter.
They're in here.
RIPLEY
Hudson, stay cool. Vasquez?
ANGLE ON VASQUEZ swinging her tracker and rifle together.
She aims it behind her. BEEP.
VASQUEZ
(cool)
Hudson may be right.
INT. OPERATIONS 148
Ripley and Hicks share a look..."here we go."
HICKS
(low)
It's game time.
RIPLEY
Get back here, both of you. Fall
back to Operations.
INT. CORRIDOR 149
Hudson backtracks nervously, peering all around. He
looks stretched to the limit.
HUDSON
This signal's weird...must be
some interference or something.
There's movement all over the
place...
RIPLEY
(voice over)
Just get back here!
Hudson reaches the door to operations at a run, a
moment before Vasquez. They pull the door shut and
lock it.
INT. OPERATIONS 150
Hudson joins Ripley and Hicks, who are laying out their
armament. Flamethrowers. Grenades. M-41A magazines.
Hudson's tracker beeps. Then again. The tone continues
through the SCENE, its rhythm increasing.
HUDSON
Movement! Signal's clean.
He pans the scanner. Stops. The range display reads
out, counting down.
HUDSON
Range twenty meters.
RIPLEY
(to Vasquez)
Seal the door.
Vasquez picks up a hand-welder and moves to comply.
HUDSON
Seventeen meters.
HICKS
Let's get these things lit.
He hands one flamethrower to RIpley and begins priming
the other himself. It lights with a muffled POP.
Ripley's lights a moment later. Sparks shower around
Vasquez as she begins welding the door. Hudson's tracker
is beeping like mad now, as fast as their hearts.
RIPLEY
They learned. They cut the power
and avoided the guns. They must
have found another way in, something
we missed.
HICKS
We didn't miss anything.
HUDSON
Fifteen meters.
RIPLEY
I don't know, an acid hole in
a duct. Something under the
floors, not on the plans.
I don't know!
She picks up Vasquez' scanner and aims it the same
direction as Hudson's.
HUDSON
Twelve meters. Man, this is a big
fu**ing signal. Ten meters.
RIPLEY
They're right on us. Vasquez,
how you doing?
Vasquez is heedlessly showering herself with molten metal
as she welds the door shut. Working like a demon.
HUDSON
Nine meters. Eight.
RIPLEY
Can't be. That's inside the room!
HUDSON
It's readin' right. Look!
Ripley fiddles with her tracker, adjusting the tuning.
HICKS
Well you're not reading it right!
HUDSON
Six meters. Five. What the fu --
He looks at Ripley. It dawns on both of them at the same
time. She feels a cold premonitory dread as she angles
her tracker upward to the ceiling, almost overhead. The
tone gets louder.
Hicks climbs onto a file cabinet and raises a panel of
acoustic drop-ceiling. He shines his light inside.
HICKS' P.O.V. 151
A soul-wrenching nightmare image. Moving in the beam of
light are aliens. Lots of aliens. They are crawling
like bats, upside down, clinging to the pipes and beams
of the structural ceiling, not touching the flimsy
acoustic panels. They glisten hideously as they claw
their way forward in silence. They cover the ceiling
of the operations room. The inner sanctum is utterly
violated.
Saladin-Snake - June 11, 2004 08:06 AM (GMT)
ow thats from Alien , i love that
cant wait fot the new alien movie, Alien vs Predator :thumbsup:
viva la fox - June 11, 2004 08:10 PM (GMT)
the most remeberable scenes in a movie for me has to be
8mile = when jimmy and futune sing the song
jimmy is Eminem
futune is Mekhi
(Mekhi)
Well Jimmy moved in with his mother
Cuz he ain't got no place to go
(Eminem)
And now I'm right back in the gutter
With a garbage bag that's full of clothes
(Mekhi)
Cuz you livin' home in a trailer
What the hell you gonna do?
(Eminem)
Yehaw I live at home in a trailer
Mom, I'm comin' home to you
(Mekhi) Break it down
(Eminem)
Well my name is Jimmy, his name's Greg Beul.
Me, him and you, we went to the same school.
This ain't cool, I'm in a rage.
He's tappin' my Mom, we're almost the same age.
On the microphone I drop bombs.
Look at this car, thanks alot, Mom.
Here, Happy Birthday Rabbit.
Here's a brand new car you can have it.
A 1928 Delta.
This sh*t wont even get me to the shelter.
And I can't even stand for Mo-Town.
Cuz I'm back in the 8-one-o now.
Cuz I live at home in a trailer
Mom, I'm comin' home to you
and on the film called the new guy = when the one fat kid starts to sing let it whip
they are the most remeberable scenes in a movie because it is my favourite part in the films :D